This is precisely where the strength of the hymn tradition lies. There is nothing static about the hymn tradition on the contrary, it is constantly evolving and continues to be interpreted by our contemporary composers, hymnographers and performers. They deal with sorrow and joy, faith and doubt, and express in words some of life’s most painful events. The texts of Nordic hymns belong to a shared Scandinavian heritage. Its goal is twofold: to hold on to traditions from earlier hymnals and to bring in something new, with texts in a modern idiom and with new melodies and new harmonic ideas. The Church of Norway’s new Hymnal came into use in 2013.
#Ola gjeilo contrition download
Studio Master, Official Digital Download – Source: | Booklet, Front Cover | © 2L, Lindberg Lyd Himmelrand – Uranienborg Vokalensemble, Elisabeth Holte (2016)ĭigital eXtreme Definition FLAC Stereo (tracks) 24-bit/352,8 kHz | Time – 01:00:36 minutes | 2,98 GB | Genre: Classical Sigurd Imsen, baroque violin (#1-6) and Hardanger fiddle (#7-9) Den klangfulle hardingfela, uovertruffen til å etterligne de tradisjonelle italienske sekkepipene, gjør i denne innspillingen entré som en hyllest til Tartinis forkjærlighet for folkemusikkens danserytmer.ġ Adagio ‘Lascia ch’io dica addio’ (Let me say farewell) 5´ 19 De færreste av hans 135 fiolinkonserter og 200 sonater blir fremført i dag, kanskje fordi de fortsatt står i et gåtefullt lys – uhåndgripelige, og fulle av hemmeligheter. Tartinis obskure filosofi om naturens forhold til musikken viser et nært slektskap til tankegodset i hans samtid, opplysningstiden men med en vri. Hans uttrykksfulle spillestil og særegne ornamentikk var høyst personlig og original, men hadde sterk innflytelse på hans samtidige fiolinister og var avgjørende for tradisjonen videre på 1800-tallet.
I mangfoldet av musikkgenre og stilarter på midten av 1700-tallet står musikken til Giuseppe Tartini (1692-1770) i en særstilling. The sonorous Hardanger fiddle, an ideal instrument for imitating the traditional Italian bagpipes, appears in this recording as a tribute to the composer’s frequent use of traditional folk music motifs.
However, these came with a twist: his 135 violin concertos and 200 sonatas, of which many are rarely performed today, still appear enigmatic – impalpable and mysterious. Tartini’s obscure writings about Nature and music reveal a close relationship to widespread ideas of a time that was to become known as The Age of Reason. Despite a quintessential expressive style of performance and embellishment, he was to become and remain influential across the known musical world, and his legacy was essential to violin playing for at least the next century. Studio Master, Official Digital Download – Source: | Booklet, Front Cover | © 2L, Lindberg LydĪmongst a plethora of musical styles and genres extant during the mid-18th century, the music of Giuseppe Tartini (1692-1770) finds a special place. Giuseppe Tartini – Secondo Natura – Sigurd Imsen, Tormod Dalen, Hans Knut Sveen (2015)įLAC (tracks) 24-bit/352,8 kHz | Time – 51:17 minutes | 2,73 GB | Genre: Classical